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Poetry
by Chris Zachariou
United Kingdom


Τάκης Ζαχαρίου

Ποιήματα

Γιαλούσα, Κύπρος

The Anger of the River | A Poem About God


We know nothing of each other

except for our love of great theatre.


She recites sonnets on the balcony

of her white bedroom in Verona

and I, her shy poet-lover stand

beneath her tragic balcony.


I had lived my whispered life

in the darkness of Byzantine vespers

until she came side-saddle on a leopard

from beyond the Gobi Desert.


Kneeling, I washed her feet in

spikenard, I kissed her hallowed

footprints in the snow and sand

and for a fleeting moment, she

let me glance inside her prison.


It was terrifying—

Abraham’s stern commands were

standing keepers at the gate.


Obsessed with salvation, we pray

by the shoreline and in the night

of the second storm, we weather the yellow

rain without the safety of the ark.


Casting our nets in the water, we beg

for absolution, but the Anger of the River

sentenced us to a life of penance for

the hideous crime of pious modesty.


A few words about the poem…

 

The Anger of Tradition: A Poem About God

 

In "The Anger of the River," the poet presents a narrative imbued with the complexities of religious faith and the consequences of challenging established dogmas. The poem's evocative and surreal imagery and allegorical references create a compelling exploration of the collision between tradition and innovation. It is a sophisticated meditation on the clash between entrenched religious ideologies and the desire for personal spiritual growth, making it a nuanced poem about God and human experience.

 

The poem begins with a scene reminiscent of classic literature, invoking a romanticised image of two lovers united by a shared appreciation for theatre. This initial setting serves as a metaphorical stage, where the characters act out their respective roles within the confines of tradition. The "shy poet-lover" and the woman who "recites sonnets on the balcony" reflect the dynamic of those who seek deeper truths while remaining bound by societal expectations.

 

The narrative then shifts, revealing the poet's transformation from a life shrouded in the rituals of "Byzantine vespers" to a more vibrant existence influenced by the woman, who arrives "side-saddle on a leopard from beyond the Gobi Desert." This vivid imagery suggests a dramatic departure from the poet's previous life, symbolising a break from rigid orthodoxy towards a more exotic and potentially liberating spirituality.

 

The poet's reverence for the woman is depicted through the act of washing her feet with "spikenard" and kissing her "hallowed footprints," gestures that resonate with religious symbolism. This act of devotion, however, also hints at the subjugation and veneration of new ideas under the weight of tradition. The fleeting glimpse into the woman's "prison" reveals the formidable presence of "Abraham’s stern commands," representing the restrictive nature of dogmatic beliefs that guard against any deviation.

 

As the poem progresses, the characters are portrayed praying by the shoreline, caught in the throes of a "second storm." The imagery of "yellow rain" and the absence of the "safety of the ark" suggests a vulnerable position, exposed to divine judgement. The act of "casting our net on the water" in search of "absolution" encapsulates the quest for spiritual redemption, yet it is met with the harsh reality of the "Anger of the River." This river, a metaphor for the force of traditional beliefs, condemns them to "a life of penance for the hideous crime of pious modesty." This ending underscores the poem’s exploration of the consequences faced by those who dare to question or reinterpret religious norms.

 

Thus, "The Anger of the River" stands as a contemplative poem about God, engaging with the tension between the allure of new spiritual understandings and the stern guardianship of established faith. Through its rich allegory and layered symbolism, the poem invites reflection on the nature of belief, the weight of tradition, and the often-punitive responses to those who seek to transcend conventional piety.


Analysis of Themes in the Poem "The Anger of the River"

 

1. Clash Between Tradition and Innovation

A central theme in the poem is the tension between established religious traditions and the introduction of new, potentially disruptive ideas. This is embodied in the arrival of the woman on a "leopard from beyond the Gobi Desert," symbolizing the entry of foreign and unconventional influences into a world governed by strict, traditional values. The references to "Byzantine vespers" and "Abraham’s stern commands" highlight the rigid and conservative nature of the existing belief systems, which are challenged by the new perspectives brought by the woman.

 

2. Forbidden Love and Passion

The poem also explores the theme of forbidden love and passion, as seen through the lens of the speaker's relationship with the woman. The setting in "Verona" and the imagery of the "tragic balcony" evoke the famous tale of "Romeo and Juliet," suggesting a love that is destined to be thwarted by external forces. This theme is underscored by the cultural and religious barriers that stand between the characters, illustrating the personal sacrifices and struggles involved in pursuing a love that goes against societal norms.

 

3. Spiritual Quest and Salvation

The characters' journey is marked by an "obsession with salvation," reflecting a deep concern with spiritual redemption. The poem portrays this quest through the imagery of praying by the shoreline, facing the "second storm," and enduring the "yellow rain." The lack of the "safety of the ark" symbolizes the absence of divine protection, highlighting the precariousness of their spiritual state. The theme of salvation is further complicated by the "Anger of the River," which metaphorically represents the harsh judgment and condemnation faced by those who stray from orthodox beliefs.

 

4. Imprisonment and Liberation

Another significant theme is the concept of imprisonment, both literal and metaphorical. The poem describes the woman's internal "prison," guarded by "Abraham’s stern commands," indicating the restrictive power of religious dogma. This imprisonment symbolizes the constraints imposed on individuals by societal and religious expectations, particularly regarding gender roles and intellectual freedom. The fleeting moment when the speaker glimpses inside her prison suggests a brief insight into the true nature of her confinement and the broader implications of such restrictions on human potential.

 

5. Judgment and Punishment

The theme of judgment is vividly portrayed through the "Anger of the River," which symbolizes divine or societal retribution. The river's wrath signifies the consequences of challenging established norms and the unforgiving nature of religious orthodoxy. The "hideous crime of pious modesty" reflects the paradoxical punishment of individuals for their adherence to superficial piety rather than genuine understanding or compassion. This theme explores the complexities of moral and spiritual judgment, questioning the fairness and rigidity of such judgments.

 

6. Identity and Self-Discovery

Throughout the poem, the speaker undergoes a journey of self-discovery, grappling with their identity in relation to the woman and the broader religious context. The shy poet-lover’s perspective reflects a struggle between a life lived in quiet observance and the awakening of deeper passions and convictions. This journey is complicated by the cultural and religious forces at play, forcing the characters to navigate their identities within the confines of tradition and the allure of new, uncharted territories.

 

These themes interweave to create a complex and multi-layered narrative that delves into the human experience of love, faith, and the pursuit of truth. The poem "The Anger of the River" offers a meditation on the conflict between the old and the new, the personal and the collective, and the sacred and the profane.

 

Analysis of the Verses in the Poem "The Anger of the River"

 

Verses 1-2

We know nothing of each other 

except for our love of great theatre.

 

The opening lines establish the initial connection between the two characters, united by a shared love for theatre. This mutual appreciation for an art form indicates a deeper search for beauty and understanding, possibly suggesting a common ground beyond societal and religious norms. The reference to theatre also introduces an element of performance and roles, hinting at the themes of identity and pretence.

 

Verses 3-6

She recites sonnets on the balcony 

of her white bedroom in Verona 

and I, her shy poet-lover stand 

beneath her tragic balcony.

 

These lines paint a romantic and classical image, evoking the setting of Verona from Shakespeare's "Romeo and Juliet." The poet's position as a "shy poet-lover" beneath her balcony implies a sense of longing and distance. The "tragic balcony" suggests an inevitability of sorrow or separation, underscoring the tension between their affection and the external forces that may oppose it.

 

Verses 7-10

I had lived my whispered life 

in the darkness of Byzantine vespers 

until she came side-saddle on a leopard 

from beyond the Gobi Desert.

 

The poet describes a life of quietude and piety "in the darkness of Byzantine vespers," indicating a period of spiritual observance and possibly suppression. The arrival of the woman "side-saddle on a leopard" from an exotic place like the Gobi Desert introduces an element of the foreign and the wild. This moment signifies the intrusion of something untamed and potentially heretical into a previously ordered existence.

 

Verses 11-15

Kneeling, I washed her feet in 

spikenard, I kissed her hallowed 

footprints in the snow and sand 

and for a fleeting moment, she 

let me glance inside her prison.

 

The act of washing her feet with spikenard, a precious ointment, is rich with religious connotations, echoing biblical scenes of humility and devotion. This gesture indicates reverence and the desire to honour her. The fleeting moment where the poet glimpses "inside her prison" reveals the constraints and confinements they face, whether literal or metaphorical, highlighting the barriers imposed by strict religious or social norms.

 

Verses 16-18

It was terrifying— 

Abraham’s stern commands were 

standing keepers at the gate.

 

The reference to "Abraham’s stern commands" suggests the presence of rigid, traditional religious laws acting as gatekeepers. This evokes a sense of fear and oppression, where these laws prevent the exploration of new ideas or experiences, underscoring the theme of religious orthodoxy as a restrictive force.

 

Verses 19-22

Obsessed with salvation, we pray 

by the shoreline and in the night 

of the second storm, we weather the yellow 

rain without the safety of the ark.

 

The poet describes an obsession with salvation, a driving force for both characters, who seek spiritual redemption. The "second storm" and "yellow rain" symbolize trials and divine judgment. The absence of "the safety of the ark" implies a lack of divine protection, contrasting their plight with the biblical story of Noah's ark, where the faithful were saved.

 

Verses 23-26

Casting our net on the water, we beg 

for absolution, but the Anger of the River 

sentenced us to a life of penance for 

the hideous crime of pious modesty.

 

The final verses illustrate a desperate search for forgiveness, as they cast their net into uncertain waters. The "Anger of the River" becomes a metaphor for the divine wrath or the unforgiving nature of religious orthodoxy. The phrase "hideous crime of pious modesty" suggests a critique of the rigid, superficial piety that condemns rather than saves, indicating a spiritual and existential condemnation to a life of penance.

 

Analysis of Symbolism in the Poem "The Anger of the River"

 

1. The Theatre

The theatre symbolizes the dual nature of existence, where individuals play roles dictated by society and religion. The shared love for theatre among the characters hints at a deeper connection beyond the superficial roles they are assigned. It also suggests a form of escapism or a pursuit of truth and beauty in a world dominated by rigid doctrines.

 

2. Verona and the Tragic Balcony

The reference to Verona, particularly with the imagery of a tragic balcony, evokes the famous love story of "Romeo and Juliet." This symbol serves to underscore themes of forbidden love, societal constraints, and the inevitable tragedy that befalls those who challenge entrenched norms. It also highlights the tension between passion and the forces that seek to control it.

 

3. Byzantine Vespers

The "darkness of Byzantine vespers" symbolizes a life of ritualistic adherence and perhaps spiritual darkness. The Byzantine Empire, known for its complex religious practices and orthodoxy, represents a period of strict observance and conformity. This setting evokes the stifling nature of religious dogma that suppresses individual freedom and exploration.

 

4. The Leopard and the Gobi Desert

The leopard, an exotic and powerful animal, symbolizes the intrusion of new and potentially dangerous ideas. The fact that it arrives from "beyond the Gobi Desert" suggests these ideas come from a distant, unfamiliar place, challenging the established order. The imagery combines both allure and threat, indicating the disruptive potential of these new influences.

 

5. The Act of Washing Feet with Spikenard

This act carries significant religious symbolism, recalling the biblical story of Mary anointing Jesus' feet. It represents humility, reverence, and the acknowledgment of a higher spiritual value. In the poem, this gesture suggests a deep respect for the woman's spiritual and possibly intellectual contributions, even as she remains trapped in a metaphorical prison.

 

6. Abraham’s Stern Commands

This symbolizes the strict and inflexible religious doctrines that govern the characters' lives. The "stern commands" of Abraham, a patriarchal figure in Judeo-Christian traditions, stand as gatekeepers, preventing the exploration of new ideas. This symbolizes the restrictive nature of religious orthodoxy that upholds traditional values at the expense of spiritual freedom.

 

7. The Second Storm and Yellow Rain

The "second storm" and "yellow rain" represent trials and tribulations that the characters must endure. The storm symbolizes chaos and divine testing, while the yellow rain, an unusual and ominous phenomenon, suggests something toxic or corrupt. The lack of "the safety of the ark" contrasts their situation with that of Noah, highlighting their vulnerability and the absence of divine salvation.

 

8. The Anger of the River

The river's anger symbolizes divine judgment or the harsh consequences of challenging established religious norms. It represents a natural and unstoppable force that punishes transgression. The river's wrath reflects the severity of religious and societal condemnation for those who deviate from accepted norms. The "hideous crime of pious modesty" critiques the superficial adherence to religious rituals, which leads to condemnation rather than understanding or forgiveness.

 

Through these symbols, the poem "The Anger of the River" explores the complex interplay between religious orthodoxy, individual freedom, and the consequences of challenging entrenched beliefs. The rich symbolism provides a layered and nuanced exploration of the themes, inviting readers to reflect on the nature of belief, conformity, and the quest for spiritual truth.



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