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Poetry
by Chris Zachariou
United Kingdom


Τάκης Ζαχαρίου

Ποιήματα

Γιαλούσα, Κύπρος

Writer's pictureChris Zachariou

You Know Me So Well | Poems of Despair


All I hear is your voice:

“Remember this, remember that..

what about this, what about that?”


and you drone on and on and on:

“Always a foot soldier, never a commander.”


“He never came to see you, did he?”

blah, blah, blah...


But perhaps you have a point here

“Why didn't you come to see me, daddy?”


Sometimes you say nothing—

silence, your cruellest ploy.

One look and I'm undone,

you torment me and you taunt me.


All the thoughts I tried so hard to banish—

all my fears and all my insecurities.

 

"Couldn't you have loved me just a little?"

and I cry for the child that was only seven.


When I say this is old news

—I pretend of course—you laugh.

How do you know me so well

am I you, are you me?


Be careful old friend, neither

of us may be here much longer.



A few words about the poem…

 

Poems of Despair: An Analysis of the Poem "You Know Me So Well"

 

" You Know Me So Well " is a poignant addition to the collection of Poems of Despair, offering a profound exploration of complex personal relationships and internal conflict by delving into themes of memory, criticism, and unresolved emotional turmoil.

 

The poem opens with an incessant barrage of reminders and questions from an omnipresent voice: “Remember this, remember that... what about this, what about that?” This repetition creates an atmosphere of relentless scrutiny, reflecting the speaker’s exhaustion and frustration.

 

The voice's belittlement continues with statements such as “Always a foot soldier, never a commander” and the dismissive “blah, blah, blah...” This trivialisation highlights a broader societal tendency to diminish personal grievances and experiences.

 

A significant turning point occurs with the voice's pointed question: “Why didn't you come to see me, daddy?” This line introduces a deeper, unresolved paternal relationship, adding layers of emotional complexity. The use of silence as a “cruellest ploy” further emphasises the manipulative nature of this dynamic, where non-verbal cues inflict profound psychological pain.

 

The middle stanzas delve into the speaker’s inner turmoil, where the power of a mere look can leave them “undone.” This imagery captures the lingering impact of unspoken criticism and the resurfacing of suppressed fears and insecurities: “All the thoughts I tried so hard to banish.”

 

The emotional climax is marked by the heart-wrenching plea, “Couldn't you have loved me just a little?” This line underscores the universal longing for parental validation and love, while the reference to crying for a seven-year-old child speaks to the lasting effects of childhood neglect.

 

The concluding lines reveal a complex interplay of mutual understanding and deep-seated conflict. The speaker’s feigned indifference— “this is old news”—contrasts with the voice’s knowing laughter. The rhetorical questions, “How do you know me so well, am I you, are you me?” suggest a blurred line between the critic and the self, hinting at internalised criticism and identity confusion.

 

The poem closes with a sobering warning: “Be careful old friend, neither of us may be here much longer.” This line encapsulates the transient nature of life and influence, reminding both the speaker and the critic of their mortality. "You know me so well" through its exploration of torment, longing, and introspection, offers a nuanced commentary on the enduring impact of personal relationships and authoritative figures.

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