The Last Temptation of Christ by Nikos Kazantzakis | A Profound Exploration of Humanity and Divine Struggle "The Last Temptation of Christ" by Nikos Kazantzakis is a literary masterpiece that delves into the complexities of human nature, spirituality, and the internal struggle between divinity and humanity. Published in 1951, this controversial novel offers a thought-provoking and imaginative reinterpretation of the life of Jesus Christ. Set in the biblical era, Kazantzakis presents a vivid and detailed account of Jesus' life, focusing on his inner turmoil and the challenges he faces as he grapples with his divine destiny. The novel begins with Jesus as a humble carpenter and follows his transformation into a prophet and Messiah. However, what distinguishes this retelling from traditional narratives is the inclusion of Jesus' inner conflict and the temptation to lead a normal human life. Kazantzakis masterfully captures the internal struggles faced by Jesus, making him a relatable and flawed protagonist. Through vivid and introspective prose, the author skilfully depicts Jesus' doubts, fears, and desires. The temptation to embrace a normal life, complete with marriage, love, and earthly pleasures, is a central theme throughout the novel. Kazantzakis presents these temptations as a representation of the human experience and the universal struggle between divine and earthly desires. The novel's strength lies in its ability to challenge established religious beliefs and provoke deep introspection. Kazantzakis takes risks by presenting an unconventional portrayal of Jesus, showing him as a man torn between his divinity and his human nature. This portrayal humanizes Jesus, allowing readers to connect with his journey on a profound level. It prompts contemplation on the nature of sacrifice, free will, and the complexity of faith. Kazantzakis' writing style is rich, poetic, and emotionally evocative. His vivid descriptions bring ancient landscapes and characters to life, immersing readers in the time and place of Jesus' existence. The author's ability to infuse depth and complexity into his characters is remarkable. Supporting characters, such as Mary Magdalene and Judas, are given significant roles, each contributing to the overarching themes of the novel. While "The Last Temptation of Christ" explores religious themes, it is not solely a religious novel. It is a philosophical work that prompts readers to question their own beliefs, regardless of religious affiliation. Kazantzakis encourages us to confront our own temptations, moral dilemmas, and the eternal struggle between our spiritual aspirations and earthly desires. However, it is worth noting that due to its provocative content, the novel has faced criticism from certain religious groups. Some have interpreted Kazantzakis' reimagining of Jesus' life as blasphemous or sacrilegious. Readers need to approach this work with an open mind and a willingness to engage in a broader philosophical discourse. "The Last Temptation of Christ" is an extraordinary and intellectually stimulating novel that pushes the boundaries of religious literature. Nikos Kazantzakis weaves a captivating and controversial narrative, exploring the depths of human nature and the universal struggle between the divine and the earthly. It is a book that challenges and provokes, leaving readers with a profound sense of reflection and a deeper understanding of the complexities of faith and humanity. Read all the poems inspired by The Last Temptation of Christ

Nikos Kazantzakis: A Life Dedicated to Literature and Philosophy Nikos Kazantzakis, a prominent Greek writer, and philosopher, lived a life driven by an insatiable thirst for knowledge and a relentless pursuit of truth. Born on February 18, 1883, in Heraklion, Crete, Kazantzakis left an indelible mark on the world through his literary masterpieces and philosophical insights. Throughout his life, he produced a diverse body of work, ranging from novels and plays to poetry and philosophical treatises.   Kazantzakis' early life was shaped by his upbringing in Crete, a place rich in history and cultural significance. These formative years instilled in him a deep love for his homeland and a keen interest in the complexities of the human condition. After completing his studies in law and philosophy in Athens, Kazantzakis embarked on a transformative journey across Europe, soaking in the vibrant intellectual and artistic scenes of Paris, Vienna, Berlin, and Moscow.   Throughout his life, Kazantzakis grappled with existential questions and sought to reconcile his own beliefs with the broader philosophical and religious traditions that surrounded him. Influenced by thinkers such as Friedrich Nietzsche and Henri Bergson, he crafted a unique philosophical outlook that emphasized the struggle for meaning and the pursuit of the divine in a complex and often chaotic world.   Kazantzakis' literary works reflect the depth and breadth of his intellectual and spiritual pursuits. His most famous novel, "Zorba the Greek," published in 1946, became an international sensation and remains a classic of modern Greek literature. In this novel, Kazantzakis explores the dichotomy between intellect and instinct, as exemplified by the contrasting characters of Zorba, the carefree and exuberant figure, and the reserved, introspective narrator. Through this work, Kazantzakis delves into the complexities of the human psyche and celebrates the vibrant vitality of life.   "The Last Temptation of Christ," published in 1951, stands as one of Kazantzakis' most controversial and thought-provoking works. In this novel, he presents a deeply human portrayal of Jesus Christ, grappling with his divine mission and confronting his inner doubts and desires. Kazantzakis explores the inner conflict between the spiritual and the earthly, challenging traditional interpretations of Christ's role and offering a profound meditation on the nature of faith and sacrifice.   In addition to his novels, Kazantzakis delved into other literary forms, including poetry and drama. His poetic works, such as "The Odyssey: A Modern Sequel" and "The Saviours of God: Spiritual Exercises," showcase his poetic prowess and his philosophical musings.   Kazantzakis' life was not without its challenges and controversies. He faced criticism and controversy for his unorthodox views and bold exploration of religious and philosophical themes. Yet, he remained steadfast in his commitment to pushing boundaries and challenging conventional wisdom. His uncompromising spirit and intellectual rigour earned him both admirers and detractors, but his impact on literature and philosophy remains undeniable.   Nikos Kazantzakis' legacy extends far beyond his own lifetime. His works continue to resonate with readers around the world, inspiring introspection, provoking thought, and inviting contemplation of the human condition. His unyielding quest for truth, his exploration of the complexities of faith, and his celebration of the indomitable human spirit leave an enduring mark on the literary and philosophical landscape.   Nikos Kazantzakis' life and work exemplify a relentless pursuit of truth, an unwavering commitment to intellectual and spiritual exploration, and a dedication to giving voice to the struggles and triumphs of the human experience. His literary masterpieces continue to captivate and challenge readers, inviting them to question their beliefs, grapple with existential dilemmas, and seek meaning in an ever-changing world. Nikos Kazantzakis' legacy stands as a testament to the power of literature and philosophy to illuminate and inspire.   Nikos Kazantzakis left behind a rich and diverse body of work that continues to captivate readers worldwide. Here is a summary of some of his major works:   “Captain Michalis” (1950): Through this powerful and multi-layered novel based on Crete’s war of independence from the Ottoman Empire, Kazantzakis expands on his philosophy on Good and Evil. The conflict between these two opposing elements can be understood in three stages. The first level of understanding is that Good and Evil are enemies and constantly at war, the second level is that Good and Evil are the same, and the final level is that they do not exist. Only at this level man can reach redemption and be truly free. As Captain Michalis lives and dies, these three complex views are explored through his actions.   "Zorba the Greek" (1946): This novel, perhaps Kazantzakis' most famous work, tells the story of the protagonist, a reserved and introspective narrator, and his encounters with the lively and free-spirited Zorba. The novel explores the contrasting themes of intellect and instinct, restraint, and passion, as the narrator grapples with the complexities of life and embraces the vitality of existence.   "The Last Temptation of Christ" (1951): In this controversial and thought-provoking novel, Kazantzakis presents a deeply human portrayal of Jesus Christ. Through vivid and introspective storytelling, the novel delves into Jesus' inner struggles, doubts, and temptations, challenging traditional interpretations of his divinity and offering a profound meditation on faith, sacrifice, and the human condition.   "The Odyssey: A Modern Sequel" (1938): This epic poem serves as a continuation of Homer's "The Odyssey," reimagined in a modern context. Kazantzakis expands upon the original narrative, delving into existential themes, spiritual quests, and the search for meaning and purpose in life. Through rich poetic imagery, he invites readers to explore the timeless journey of the human soul.   "Report to Greco" (1961): Considered Kazantzakis' autobiography in the form of a novel, "Report to Greco" reflects on his own life experiences, intellectual development, and spiritual journey. Drawing inspiration from his travel encounters with diverse cultures, and his exploration of various philosophical and religious traditions, Kazantzakis offers a deeply introspective account of his own quest for self-discovery and enlightenment.   "Christ Recrucified" (1948): Set in a small Greek village during the time of the Ottoman Empire, this novel revolves around the efforts of a group of villagers to stage a Passion play. Kazantzakis weaves together themes of faith, sacrifice, and the struggle against oppression, creating a powerful narrative that explores the human capacity for endurance and the resilience of the human spirit. Read all the poems inspired by Nikos Kazantzakis

Rise to the dizzy heights dream the dreams and think the thoughts that you and only you alone can think. There will be times when you'll be startled by the daring of your mind but don't ever be afraid, you were born to fly and to feel the scorching heat that burns you up inside. Rise up and touch the sun, conquer the light blue skies and I'll be looking up and telling all the world once I knew that star. A few words about the poem…   Icarus | The Aspirations of the Young | Greek Mythology Poems   "Icarus" delves into the human spirit's aspirations by employing the classical myth to explore themes of ambition, courage, and the inevitable risks of reaching for greatness. Through concise and vivid language, it conveys a message of daring to dream and embracing the potential dangers that come with such bold endeavours.   The opening lines, "Rise to the dizzy heights / dream the dreams / and think the thoughts / that you and only you / alone can think," invite the reader into a realm of individual potential and unique vision. The use of the imperative "Rise" sets a tone of encouragement, though it is tempered by the personal and reflective nature of the subsequent lines, emphasizing the solitary journey of personal aspiration.   In the second stanza, the poem acknowledges the inherent fear that accompanies great ambition: "There will be times / when you'll be startled / by the daring of your mind." This acknowledgment of fear and surprise highlights the inner conflict between aspiration and hesitation, a universal experience for those who strive for more.   The encouragement continues with "but don't ever be afraid, / you were born to fly / and to feel the scorching heat / that burns you up inside." Here, the metaphor of flight and the reference to "scorching heat" invoke the myth of Icarus directly, suggesting that the pursuit of dreams, though perilous, is a fundamental part of one's nature. The heat that "burns you up inside" symbolizes both the passion that drives one forward and the potential for self-destruction inherent in such pursuits.   The climax of the poem, "Rise up and touch the sun, / conquer the light blue skies," echoes the climax of Icarus's flight, urging the reader to reach for their highest potential despite the risks. The imagery of touching the sun and conquering the skies encapsulates the ultimate achievement of one's dreams, though the myth of Icarus serves as a cautionary backdrop.   The poem concludes on a reflective and personal note: "and I'll be looking up / and telling all the world / once I knew that star." This final sentiment shifts the perspective to the observer, who admires the dreamer and their daring pursuit. The use of "that star" as a metaphor for the dreamer adds a layer of admiration and remembrance, suggesting that the impact of one's aspirations extends beyond their own experience to inspire others. In "Icarus," part of the series “Greek Mythology Poems,” the poet combines classical myth with contemporary themes of individuality and ambition. The imagery and structure guide the reader through a journey of daring and introspection, ultimately celebrating the human spirit's relentless pursuit of greatness.

Camelot, cloaked in mists, shimmers on the distant hilltops. I can see my footprints, faint and cracked at its bolted gates . She dresses quietly, our eyes never meet and Guinevere leaves even before the door has closed. In silence, I sit late into the night listening for her footsteps, but I know the trains have stopped running. In a panic, I run into my world between the pencil and the page. I write all my memories, some true, most imagined— imagined memories are better than no memories of her at all. Snow is falling on the roof. May’s poems shiver on the page, the garden spiders died in September and the nights are drawing in. Winter has arrived. Part of the Old Stories cycle of poems A few words about the poem… Winter - A Poem of Loss in the Series Melancholy Poems   "Winter" explores themes of loss, memory, and the passage of time through a narrative imbued with a subtle sense of melancholy. The poem opens with a vision of Camelot, cloaked in mists and shimmering on distant hilltops, invoking a sense of mythical beauty that contrasts with the stark reality of the speaker's present. The footprints outside Camelot’s bolted gates suggest a past once accessible, now closed off and unreachable.   The relationship between the speaker and Guinevere is central to the poem. The quiet dressing and the absence of eye contact signify a profound disconnect, her departure leaving the speaker in a state of solitary reflection. The silent, late-night vigil, coupled with the cessation of trains, symbolizes the end of movement and communication, further emphasizing the finality of her departure.   The speaker’s response to this loss is to retreat into the realm of writing, where memories, both true and imagined, offer solace. The act of writing becomes a means to preserve and recreate the past, suggesting that the imagined memories provide a comfort that reality no longer can.   The imagery of snow falling on the roof, melancholy poems shivering on the page, and the death of garden spiders heralds the arrival of winter, both literally and metaphorically. The seasonal change reflects the speaker’s internal landscape, marking the onset of a period of introspection and emotional coldness.   Overall, "Winter" presents a poignant meditation on the nature of memory and the inevitability of change, using rich imagery and a reflective tone to convey its themes. The poem’s subtle interplay between myth and reality, memory and imagination, encapsulates the speaker's struggle to cope with loss and the passage of time.

My imagined life: All the photos in the hall football games in the park on Sundays birthday songs and squeals of laughter. With a red carnation on his lapel, dark glasses and a menthol cigarette he takes your hand and I nearly die. I envy him; This icon and hero of our times who takes it all from me so easily and with such panache. Part of the Old Stories cycle of poems A few words about the poem… Melancholy Poems: A Tale of Betrayal and Loss   In "Melancholy Poems: A Hero of Our Times," the poet navigates the terrain of shattered dreams and fractured relationships, crafting a narrative that resonates with the haunting echoes of betrayal and loss. Within the tapestry of reminiscence, the protagonist's imagined life unfolds against a backdrop of idyllic scenes and cherished memories, only to be irrevocably altered by the intrusion of a seductive interloper.   As the poem unfurls, the narrator's recollections are suffused with a sense of bittersweet nostalgia, tinged with the poignant ache of longing and regret. Amidst the photographs adorning the hall and the jubilant echoes of football games in the park, there lies an undercurrent of melancholy, as the spectre of betrayal looms large on the horizon.   The enigmatic figure, with his crimson carnation and beguiling allure, emerges as a central figure in the narrative, casting a shadow over the narrator's once-cherished illusions of happiness. During laughter and celebration, his presence serves as a stark reminder of the fragility of love and the capriciousness of fate.   It is through the lens of retrospective reflection that the true impact of the protagonist's actions is revealed, as the narrator grapples with the searing pain of abandonment and betrayal. The once-rosy hues of domestic bliss are now tinged with the sombre shades of disillusionment, as he confronts the harsh reality of shattered dreams and fractured trust.   In "Melancholy Poems: A Hero of Our Times," the poet invites readers to bear witness to the poignant unravelling of a once-cherished romance, as love gives way to heartache and longing. Through the evocative imagery of memory and loss, they illuminate the complexities of human emotion, offering a poignant testament to the enduring power of melancholy in the tapestry of human experience.

A Short Biography of Sappho | A Tribute to Sappho Sappho, born circa 630 BCE on the island of Lesbos, transcended the societal limitations imposed on women in ancient Greece. The establishment of the "Thiasos" in Mytilene, a school for young women, underscored her commitment to fostering intellectual and artistic pursuits. Her aristocratic background afforded her an education uncommon for women of her time, positioning her as a luminary in an era marked by cultural vibrancy and intellectual ferment. Her poetry, characterized by its lyrical quality, emotional depth, and vivid imagery, traversed various forms, with lyric poetry standing out as her hallmark. While the ravages of time have left only fragments of her work, the enduring resonance of Sappho's verses testifies to their timeless appeal. Her poems, celebrating nature's beauty and delving into the intricacies of love, reveal a profound understanding of the human experience. Sappho's exploration of love and desire, particularly her famous love interest Anactoria, offers a window into the nuanced and complex layers of emotional entanglements within her verses. The fragmentary nature of her surviving poetry challenges scholars to piece together a tribute to Sappho and a cohesive narrative of her personal and emotional life, contributing to the enigma that surrounds her legacy. To substantiate Sappho's status as the greatest poetess of the ancient world, one must consider the historical context and the acclaim bestowed upon her by ancient luminaries. Figures such as Plato and Aristotle, despite the fragmentary nature of her surviving poetry, acknowledged Sappho's unparalleled contribution to the lyrical tradition. In addition to classical sources, modern scholarship provides valuable insights into the ongoing discourse surrounding Sappho's greatness. Contemporary scholars like Page duBois, in her work "Sappho is Burning," offer nuanced perspectives on Sappho's reception throughout different historical periods. DuBois delves into how interpretations of Sappho have evolved, shedding light on the interplay between cultural attitudes and scholarly analyses. Incorporating such works into the discussion enhances the depth and breadth of our understanding of the multifaceted nature of Sappho's legacy. The endurance of Sappho's influence, often described as the "Tenth Muse" during the Hellenistic period, and her impact on subsequent poets like Catullus during the Roman era, further attest to the lasting significance of her work. The critical acclaim bestowed upon her cannot be easily dismissed because of bandwagon tendencies; rather, it reflects a genuine appreciation for her poetic prowess that transcends temporal constraints. However, acknowledging the enduring impact of Sappho's work does not preclude a critical examination of potential bandwagon effects. To explore this aspect, we must consider the intellectual and cultural dynamics of ancient Greece. The society's profound appreciation for the arts, where poetry was regarded as a conduit for unveiling fundamental truths about human existence, provides a plausible explanation for the enduring admiration of Sappho. In evaluating the potential influence of historical and contemporary perspectives, it is essential to recognize the limitations imposed by the fragmentary nature of Sappho's surviving poetry. The convergence of voices across epochs, from the Hellenistic period to the Roman era, suggests a consistency in the appraisal of her contributions that extends beyond fleeting fashions. The enduring resonance of her verses with subsequent generations of poets argues against the notion of a bandwagon effect, as her influence has not waned over time.   As we navigate the complexities of ancient literary traditions, the critical examination of Sappho's greatness necessitates a multidisciplinary approach. Pictorial content, such as depictions of Sappho and representations of her poetry in ancient art, can serve as visual supplements to enhance scholarly discourse. Visualizing the way Sappho has been portrayed through the ages provides an additional layer of understanding, offering insights into the evolving perceptions of her legacy.   In conclusion, Sappho's indelible mark on the literary landscape is a testament to her poetic prowess and the profound impact of her verses. This comprehensive exploration, spanning various dimensions of her life and poetry, engages with the arguments in favour of her greatness and critically examines potential bandwagon effects. By incorporating references to external academic works, considering pictorial content, and delving into the intricacies of her emotional life, this scholarly endeavour seeks to unravel the enduring allure of Sappho's lyrical legacy, positioning her as a timeless beacon within the rich tapestry of ancient literature .   Further discussion: Dubois, Page Plato   Aristotle   Stehle, Eva Carson, Anne Read poems dedicated to Sappho the ancient world's greatest poet

Federico Garcia Lorca: A Short Life in Poetry Federico García Lorca, born on June 5, 1898, in Fuente Vaqueros, Granada, Spain, was an influential poet, playwright, and artist. He is recognized as one of the most prominent figures of Spanish literature in the 20th century. Lorca's works, deeply rooted in Andalusian culture and folklore, blend lyricism, symbolism, and social commentary. Tragically, his life was cut short when he was executed during the Spanish Civil War in 1936. This biography explores the life, achievements, and enduring legacy of Federico García Lorca. Lorca was born into a middle-class family, his father being a wealthy landowner, and his mother a schoolteacher. From a young age, he displayed a passion for the arts, particularly music and literature. Under the guidance of his mother, Lorca developed a love for reading and writing poetry. He began studying piano and showed great promise in music. However, his true calling lay in the realm of literature and the arts. In 1915, Lorca moved to Granada to study law at the University of Granada. However, his heart was not in his legal studies, and he soon abandoned them to focus on his creative pursuits. Granada, with its rich cultural heritage, became a wellspring of inspiration for Lorca, shaping his artistic development profoundly. Lorca's literary career took flight in the early 1920s when he relocated to Madrid, the cultural hub of Spain. In the vibrant intellectual atmosphere of the capital, he found like-minded artists and writers who would later form the influential literary group known as the "Generation of '27." This group, including luminaries such as Luis Buñuel, Salvador Dalí, and Rafael Alberti, aimed to reinvigorate Spanish literature and align it with international modernist movements. Lorca's early works, such as "Impresiones y paisajes" (Impressions and Landscapes) and "Libro de poemas" (Book of Poems), showcased his lyrical style and exploration of themes such as love, nature, and the human condition. His poetry was deeply connected to his homeland, Andalusia, and incorporated elements of Spanish folklore and Gypsy culture. Beyond his poetry, Lorca's plays gained widespread recognition for their innovative and experimental approach. Works like "Bodas de sangre" (Blood Wedding), "Yerma," and "La casa de Bernarda Alba" (The House of Bernarda Alba) explored complex human relationships and delved into themes of desire, repression, and social inequality. Lorca's plays challenged traditional conventions and pushed the boundaries of theatrical expression. Lorca's artistic pursuits were not limited to writing. He also developed an interest in music and collaborated with renowned composers such as Manuel de Falla. Together, they produced works like "El amor brujo" (Love, the Magician), a ballet that seamlessly merged music, dance, and poetry. Lorca's creative output was inseparable from his political convictions. He was a vocal critic of the rising fascist ideologies in Spain and openly expressed his opposition to social injustices. His commitment to social justice was deeply intertwined with his creative endeavours, and he used his art to shine a light on the marginalized and oppressed. Tragically, Lorca's life was cut short in 1936 at the age of 38 during the early days of the Spanish Civil War. His outspoken political views and his homosexuality made him a target for persecution by the Nationalist forces. He was arrested, and on August 18, 1936, Lorca was executed without trial. R ead poems dedicated to Lorca at Lorca Spain's greatest poet

innocence surrenders to wanton lusts she has denied forever inflamed by carnal thoughts she falls into the arms of the salacious Pan and lies on his forest bed offering the god her gift to the chants of envious satyrs she trembles at the touch of his sinful tongue on her naked thighs and she screams at every thrust begging the goat for more until her greed is done sated she rises to the skies and she fills our world once more with her pristine light A few words about the poem…   Lust and Light: A Poetic Exploration in the Greek Mythology Poems   The poem offers a vivid depiction of an imagined encounter between Pan and Selene, delving deep into the realms of desire and transformation. The narrative begins with the portrayal of the moon goddess, surrendering her long-held innocence to the wild and lustful god Pan. This dramatic shift from purity to indulgence is central to the poem, illustrating the potent lure of carnal desires.   In the opening lines, the poem sets the stage for Selene’s inner conflict. Her innocence, which has resisted temptation for eternity, finally yields to overwhelming desires. This surrender is not merely an act of submission but a profound transformation, reflecting the powerful allure of the primal and untamed.   As the poem progresses, Selene's fall into Pan’s embrace is depicted with a raw and sensual intensity. The imagery of her lying on the forest bed and the envious chants of the satyrs amplify the scene’s earthy and hedonistic atmosphere. Here, the poem vividly captures the dichotomy of divinity and debauchery, highlighting the stark contrast between Selene's ethereal nature and Pan's carnal essence.   The subsequent verses intensify the sensory experience, describing Selene's physical reactions to Pan’s touch and the escalating passion between them. The poem does not shy away from explicitness, using stark and evocative language to convey the raw and unfiltered nature of their union. Selene’s screams and pleas for more, paint a picture of complete abandonment to her desires, a moment where divine restraint is utterly forsaken.   Finally, the poem concludes with Selene's transformation. After her desires are sated, she ascends back to the skies, once again illuminating the world with her pristine light. This return to purity after experiencing such profound sensuality encapsulates the cyclical nature of desire and redemption. It suggests a restoration of balance, where the intense physicality of the encounter is followed by a return to celestial tranquillity.   From the series "Greek Mythology Poems," "Pan and Selene" stands out for its unapologetic exploration of divine lust and transformation. It intertwines mythological narrative with deeply human emotions, offering a glimpse into the complexities of desire, surrender, and rebirth. Through its vivid imagery and intense language, the poem not only tells an ancient myth but also invites readers to reflect on the timeless nature of these themes.

I asked Selene "Will you be my lover?" She smiled and said "Meet me by the river when dusk begins to fall" I went down to the river and watched her bathe Selene was the most beautiful girl I had ever seen She opened her arms and said "Come into the water lover" I asked her "But will you be my love?" "Yes I will be your love" Selene smiled and said We met each night by the river bank and we loved till dawn but each night I could see more shadows in her eyes and by the eighth and twentieth night she had vanished from my life Part of the   Old Stories   cycle of poems A few words about the poem… A Tale of Transient Love and Loss | Melancholy Poems   In "Selene," from the series Melancholy Poems and titled after the ancient Greek word for Moon, the poem intertwines themes of desire, beauty, and transience with the symbolic imagery of the moon's cyclical phases. The narrative unfolds against the backdrop of nightly encounters by the river, reminiscent of the rhythmic pattern of the 28-day lunar cycle. The protagonist, intrigued by Selene's allure, seeks her affection in their meetings by the river, which serve as liminal spaces where reality merges with desire.   Initially, Selene's response to the narrator's question hints at the ephemeral nature of their connection, as she sets a rendezvous at dusk by the river. This sets the tone for their subsequent encounters, characterized by passion and intimacy. The imagery of Selene bathing in the waters evokes a sense of purity and sensuality, heightening the romantic atmosphere.   The narrator's infatuation with Selene is palpable, describing her as the epitome of beauty. However, as their relationship progresses, subtle hints of uncertainty and foreboding emerge. The shadows in Selene's eyes serve as a metaphor for hidden depths within her character, hinting at an underlying darkness or mystery.   Despite the narrator's longing for Selene's love, her eventual disappearance after twenty-eight nights mirrors the moon's vanishing, underscoring the transient nature of human connections. The abrupt ending leaves the narrator grappling with unanswered questions and a sense of loss, highlighting the fleeting nature of romance and the inevitability of separation.   In conclusion, "Selene" explores themes of desire, beauty, and impermanence through evocative imagery and poignant storytelling. The poem's depiction of fleeting love and elusive beauty resonates with readers, inviting reflection on the complexities of human relationships and the passage of time.

For many years now I live alone in a tiny single room by the canal. I have no photographs on the walls there are no books on the shelves and the wireless broke years ago. I feel nothing, I need nothing, I want nothing. I do not read the papers and hardly watch TV. Each Friday I go out to buy groceries. I make polite conversation with the shop assistants and my doctor thinks this is good for me. But I always rush back to the safety of my silent room with the faded old pattern on its walls. Once in a while I travel to the shop in Charlotte Street to buy flowers but she is never there. This always upsets me and my doctor thinks this is bad for me, even though this is the only time I feel alive. Like most other days, today I'm sitting at the window staring through the grimy glass at the little boats on the water. It's late in the afternoon, the end of summer and the days are now much shorter. The street is dark and nearly empty. I stare at the young girl sitting on the bench across the street. I cannot see her clearly but, I fool myself, I know it's her— it's always her. I watch her quietly until she leaves— she always leaves by eight o’clock. The hours pass until it’s time for bed but I don't move. I know sleep will not come and the nightmares will soon begin again. Part of the   Old Stories   cycle of poems A few words about the poem… Exploring Solitude and Longing in Melancholy Poems   The poem "My Day," from the series “Melancholy Poems,” encapsulates the essence of solitude and routine, portraying a life seemingly devoid of external attachments yet punctuated by fleeting moments of connection and yearning. Through poignant imagery, the poet invites readers into the solitary existence of the protagonist, whose daily rituals serve as a fragile anchor in an otherwise empty existence.   The opening lines paint a picture of stark simplicity, with the speaker inhabiting a solitary room devoid of personal adornments. The absence of photographs and books suggests a detachment from the past and a disinterest in intellectual pursuits, while the broken wireless symbolizes a disconnect from the outside world. The repetition of "nothing" emphasizes the protagonist's detachment from material desires, reinforcing the theme of emotional emptiness.   Despite this apparent detachment, the speaker's weekly trips for groceries hint at a desire for human interaction, however brief. The polite conversations with shop assistants serve as a tentative connection to society, endorsed by the doctor as a form of therapeutic engagement. Yet, the protagonist's retreat to the safety of solitude underscores a deep sense of comfort in isolation, highlighting the paradoxical nature of human longing.   The introduction of the flower shop and the protagonist's fondness for lilies inject a subtle note of longing and melancholy into the narrative. The absence of the desired recipient at the shop evokes a sense of unfulfilled longing, contrasting with the brief moments of vitality experienced in her presence. The doctor's disapproval underscores society's perception of the protagonist's unconventional source of solace, further isolating him from external validation.   As the poem progresses, the passage of time is marked by the changing seasons and the protagonist's solitary vigil by the window. The depiction of late afternoon fading into darkness mirrors the protagonist's internal state of desolation, while the fleeting presence of the young girl across the street symbolizes a fragile hope amidst the pervasive loneliness. Despite the protagonist's longing for connection, the inevitability of her departure and the onset of night foreshadow the return of haunting nightmares and restless insomnia.   In conclusion, "My Day" offers a poignant exploration of solitude, routine, and fleeting moments of connection amid emotional detachment. Through restrained language and evocative imagery, the poet invites readers to contemplate the complexities of human experience and the enduring search for meaning amidst the silence of solitary existence.

You feed me slices of Madeira cake, I roll two cigarettes and pour us mulled wine. When the wine and the cigarettes are done, we go down to the rocks and dance to shy cicada love songs. Whirling naked round and round we cast our inhibitions to the wind until spent and sated we lie in a musty cave mourning our crushed dreams of ’67. Eagles swoop down from the mountain. They devour the brown cicadas chanting a dirge of death. Later, we crawl back into the safety of the cave and watch the shadows dancing on the walls until the gates open to a vision of our future lives— shivering and looking for a shelter. We kiss one last time, then leaping into the dark abyss, we roar 'an eagle for a moment.' Part of the   Old Stories   cycle of poems A few words about the poem…   Reflections on the Lost Dreams and Shattered Innocence of the 1960s | Melancholy Poems   "Death of a Dream," from the Melancholy Poems series, tackles the complexity of lost innocence and shattered dreams, focusing on the turbulent 1960s. It paints a poignant portrait of a generation grappling with disillusionment and the harsh realities of life through its evocative imagery and layers of symbolism.   At its core, the poem is a lament for the idealism and optimism that characterized the youth of that era. Sharing mulled wine and slices of Madeira cake symbolizes a sense of companionship and camaraderie while also representing the innocence and purity of youth. However, as the characters consume the wine and cigarettes, their mood shifts and they descend into contemplation and mourning.   The dance on the rocks, accompanied by the "shy cicada love songs," is a metaphor for the fleeting nature of youthful passion and rebellion. It is a moment of defiance against societal norms and expectations, a brief respite from the constraints of reality. Yet, even as they whirl naked under the moonlight, a sense of impending doom lurks beneath the surface.   The imagery of eagles swooping down from the mountain conveys a dual meaning. On one level, it symbolizes the natural cycle of life and death, with the eagles representing both predators and scavengers. However, the mention of "brown cicadas chanting a dirge of death" hints at a darker reality, invoking the spectre of war and violence. It is a metaphor for the bombing and murder of the Vietnamese people by the US on the orders of Dr Kissinger, a criminal who went to his grave unpunished. It serves as a stark reminder of the atrocities committed during the Vietnam War, a symbol of the shattered dreams and aspirations of an entire generation.   As the characters retreat into the safety of the cave, they are confronted with the harshness of their reality. The shadows dancing on the walls serve as a metaphor for the uncertainty of their future, the looming spectre of adulthood and responsibility. Yet, even in the face of despair, there is a sense of defiance and resilience. The final leap into the dark abyss is a symbolic gesture, an affirmation of their existence in the face of an uncertain future.   In conclusion, "Death of a Dream" is a powerful exploration of loss, disillusionment, and the enduring human spirit. Through its layered imagery and poignant symbolism, the poem speaks to the universal experience of confronting the harsh realities of life while still holding onto the flickering embers of hope and resilience.

Tormented by memories of my failed life I wait for you to come. I'm early, you are not here and suddenly I panic. I sink into my world of doubt tortured by the thought of how improbable it is that you would ever love me. I pick a daisy looking for a scrap of comfort 'She loves me, she loves me not, she loves me....' but then I hear your footsteps. You are here. The feeling of foreboding subsides and I begin to breathe again. I look down at the daisy still in my hands and pluck another petal. 'She loves you not' the daisy screams and mocks me without pity. Part of the Old Stories cycle of poems A few words about the poem… Melancholy Poems: Echoes of Unrequited Love   The poem is a poignant addition to the series of Melancholy Poems, delving into the emotional turmoil of unrequited love and the inner struggle of the speaker as he grapples with his feelings of inadequacy and uncertainty. The title itself sets the tone for the melancholic theme that permeates throughout the verses.   The poem opens with the speaker immersed in memories of past failures, setting a sombre atmosphere from the outset. The use of the word "tormented" evokes a sense of anguish and distress, hinting at the depth of the emotional turmoil he experiences.   As the poem progresses, he waits anxiously for the arrival of the object of his affection, only to be met with disappointment as he realizes he is early and his lover is not yet present. This moment of anticipation turning into panic reflects his vulnerability and longing for validation.   The imagery of sinking into a "world of doubt" and being "tortured by the thought" conveys the intensity of the speaker's inner turmoil and self-doubt. The juxtaposition of hope and despair is further emphasized through the metaphor of picking a daisy, a classic symbol of love and innocence, yet finding no solace as each petal plucked reinforces the fear of rejection.   The arrival of the beloved momentarily alleviates the speaker's anxiety, as indicated by the calming effect of hearing their footsteps and the gradual subsiding of foreboding. However, the final stanza delivers a poignant twist as the daisy's verdict, "She loves you not," serves as a cruel reminder of the harsh reality of unreciprocated affection.   Overall, "She loves you not" captures the poignant struggle of longing for love while grappling with feelings of inadequacy and uncertainty, weaving a narrative of emotional vulnerability and despair.